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A
New Romance Writer's Novel Checklist
By Dawn Arkin
Most new writers think writing a romance novel is the
easiest way to break into the publishing world. All they
have to do is write about a couple falling in love. How
hard can that be?
Pretty hard at times. There are so many different aspects
to a romance novel that at times it might seem like the
couple will never get together. That's romance writing,
pure and simple.
But how do you know if you got all of those aspects into
your romance novel? There are some questions you can ask
yourself before, during, and after you start writing that
will help you determine if you have the things romance
publishers are looking for when they read submissions.
Characters
The single most important part of a romance, the hero and
heroine, are the driving force in any romantic tale.
Before you lay pen to paper, you need to be sure your
characters are the right ones for your story.
Do you love your hero and heroine?
Are their reactions to events correct?
Does the hero or heroine seem too wimpy?
Do they have flaws as well as strengths?
Does the hero and heroine act with integrity?
Are they consistent?
Are their motivations, good and bad, valid?
Do they have specific goals to achieve?
Are your secondary characters interesting without taking
over the plot?
Have you made the secondary characters three dimensional,
instead of just using stereotypical characters?
You want realistic characters who behave as much like
real people as possible. They should be likable, strong,
and consistent.
Pacing
Romance novels have changed a lot in the last 15 years.
Gone is the 200K-plus bodice rippers of yesterday. Most
publishers are looking for novels between 80K and 100K in
length. Which means a novel's pacing is even more
important to an editor. To check your novel's pace, ask
yourself the following questions.
Did your story start off with a bang?
Does your opening hook the reader?
Have you given the reader enough information without
overloading her?
Do you have more dialog than narration?
Are your sentence lengths varied?
Does your plot have dangers and risks for the hero and
heroine?
Are there slow spots so the characters (and reader) can
relax?
Is your story primarily a romance, even if it is a
cross-genre story?
A novel that moves too slow, or too fast, will bore an
editor. You want exciting without leaving the reader
feeling like they ran a triathlon.
Conflict
If every hero and heroine met, fell in love, and walked
off into the sunset in chapter one, romances would be
pretty boring. Readers want to see conflict. They want
your characters to have to go to the edge, and beyond,
for their love. Check your conflict with these questions.
Are the conflicts clear and obvious?
Are they the right ones for your characters?
Are there internal as well as external conflicts?
Do the main conflicts build until the black moment?
Are the conflict resolutions believable?
Are all the major problems and subplots resolved at the
end?
Is the ending romantic and satisfying to the reader?
Your conflict is what drives your characters to do what
they do. It should be realistic and strong enough to last
throughout the novel.
Emotion
A romance story should be an emotional rollercoaster for
the reader. They should laugh, cry, and worry about your
characters success or failure. Make sure your tale has
enough emotion to carry it to the end.
Is there time in each chapter for the characters to
explore their feelings?
Do you show emotions through your character's actions,
dialog, and decisions?
Have you used emotional responses that match your
character's personalities?
Does reading your own work make you feel the right
emotions?
If you can't feel the sadness, joy, and love, then your
reader won't either.
Author's
Voice
An author's voice is the style you use to write with. It
is your personal outlook, attitude, and rhythm that sets
you apart from other writers. It's how you put your
sentences and paragraphs together, and how they sound.
You want to use your own voice in your writings.
Is your author's voice your own, or are you imitating a
famous author's style?
Do all of your characters have their own unique voice?
Does your dialog sound natural and match the character's
personalities and backgrounds?
Are you using enough dialog and not letting your narrator
blather too much?
If you are using dialects, are you only using enough to
get the tone across?
Are you using active, not passive, language?
Finding your own author's voice can take some time. The
only way to find it is to write.
Sensuality
First comes love, then comes marriage. Then comes your
couple with a baby carriage. While all romances end with
a commitment, not all romances have sex scenes. How much,
or how little, depends on you and your comfort level.
Are you comfortable with writing a sex scene?
Are you worried about what others might think?
Are you writing a sex scene because you feel it is
important to the story, or because you think you need one
to sell the book?
Do you describe the action in a fresh, original way?
If your novel is a contemporary novel, how will you
handle safe sex practices?
Does the scene move the story along?
Have you used enough tension and mood to build to the
scene?
Are you using the right time period language for your
story?
Only you can make the decision to include sex scenes, and
how steamy they will be.
While it may look like a lot of work, asking yourself
these questions will go a long way to knowing you are
writing a romance novel that will stand a better chance
of being accepted by publishers. And really, isn't that
what it's all about?
Dawn Arkin is an author on http://www.Writing.Com which is a site for
Creative Writing Her portfolio can be found at http://darkin.Writing.Com so stop by and
read for a while
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